Way Through Vulnerability, by Liberez

Way Through Vulnerability

by Liberez

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Deadpanist This album is nothing less than an aural masterpiece. It may be “dark” to some but none will say it is a poorly executed chef d’œuvre.

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140g Vinyl LP in reverse board sleeve
Record/Vinyl + Digital Album
Ltd. 250

Includes unlimited streaming of Way Through Vulnerability via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Celophane Window 04:15 video	buy track
2.	M'aidez 06:44	buy track
3.	Here Is The Proof 05:22	buy track
4.	Forget So That You May Be Forgotten 04:56	buy track
5.	Cara En La Foto (Part 1) 01:30	buy track
6.	Your Lost Jewellery 03:39	buy track
7.	Derelict Intentions 06:58	buy track
8.	Cara En La Foto (Part 2) 05:06	buy track
9.	Way Through Vulnerability 03:05	buy track

about

Southend-on-Sea experimental outfit Liberez deliver the end result of a year and a half long recording process, an amorphous new line up and advanced studies in sound collage. On ‘Way Through Vulnerability’ new members Reay, Saunders and Ugarteburu channel the projects previous outings on Alter and Night School by conveying the same firm grounding in rhythm, though this time via Flamenco time signatures and eerie, repetitive clapping. At times sounding indebted to the ‘tribal ambient’ of decades gone by, at times sounding fresh in their approach (‘Here is the Proof’ is of note) the trio manage to export motifs from Italian avant-garde circles, UK industrial and dare we say post-rock all at the same time. The sound design on ‘Derelict Intentions’ makes heavy use of background ambience and bleak, world-weary minimalism to lull us into a false sense of calm before harsh and unexpected blurts of noise break the equilibrium. In doing so they swiftly side-step any preconceptions of ‘easy listening’ and opt instead to drag us deeper down into their own dark waters. At times we almost seem to delve into lost theatre soundtrack territory; fragmented neo-classical elements dance with punchy drum machines (‘Cara En La Foto Pt II’) and things draw to a close with the end credit worthy swansong of the album’s title track. The group repeatedly utilise Basque country language, Hungarian dialect and ancient Russian to lend their compositions a cross-cultural underpinning and eschew any clear geographic origin, a decision which all but adds to the perplexities of their unique brand of electro-acoustic purgatory.

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released November 30, 2018

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